Baby Portrait
Etsy Commission — SOLD
Artist grade archival acrylics on 9-1/2 x 16 hardwood panel
Here you can see the reference photo the proud dads sent me of their few-month-old daughter:
Portraits
Bib overalls
Acrylic on 15 x 17 panel, for Etsy commission, bib overalls requested to be included, from customer reference below:
Nov 3 Update
Approx. 9 x 12-1/2, acrylic on paper on panel.
Anniversary Gift
This was commissioned as an anniversary gift from a son to his folks. Based on a nostalgic, romantic snapshot (below) from the 1970’s. They loved it 😉
Nice Turnout for my Portrait Presentation to OSA
Whew! Everything went swimmingly for my presentation yesterday. I appreciated the overflow crowd in OSA’s main hall. I gave a whirlwind overview of how to develop your inner artist, develop artistic skill, market your work, sell your work, and use positive energy generated from that cycle to spin the next cycle…circling back with renewed confidence and enthusiasm to further developing artistic skills. I did a demo (under the slant mirror on the stage so people could see) of laying out a limited palette of colors, mixing flesh tones, & mixing “black.” Then I did a quick painting demo of roughing-in, from photo reference I took a few months ago. I enjoyed the process more than I thought I might, and look forward to similar opportunities that might come along in the future.
Commission from Texas
SOLD via Etsy
Completed commission, just shipped to Texas. Acrylic on 16 x 25 panel.
Source snapshots, from which I “photoshopped” the composition together:
Anniversary Portrait
SOLD via Etsy
I worked on this anniversary portrait at the show, getting it about 90% done by Sunday. It was fun to be able to ask passersby and other OSA members for critique and recommendations. It’s for an Etsy commission; I sent my customer a digital image of it for approval last week and he said, “You are a genius!  I love it!  It is amazing!  I am so grateful to you.  I will pay for it tonight.  No changes necessary.  Thank you!!!!!” Music to my ears…very encouraging. I hope his wife likes it as well as he does, or better. It’s acrylic on a 16 x 26 hardwood panel, from customer supplied old snapshot:
Show went very well!
All the hard work preparing for the show was worth it! I had a great time painting for five days in a row, it was like a painting retreat. I received lots of positive comments, and many people said they would contact me for future commissions. I’m in communication with two prospects from the show who I think will follow through with commissions. I also got invited back by the show manager to be a demo artist at the Fall Home & Garden Show, Oct. 4-7, 2012 at the Expo Center. I’d like to be positioned with the Oregon Society of Artists again.
My booth (above) at the Spring Home & Garden Show about a week ago. As a designated “demo artist” I painted much of the time between 10 a.m. to 8 p.m. except for breaks.
I finished up a painting of one of my grandsons while at the show:
…thanks to Joel Bock Photography for permission to use one of his photos as reference. It was fun to work on Espen’s characteristic crooked little half grin.
I’m mostly recovered / caught up / unpacked from the show…and MORE than ready to dive back into painting.
Newlyweds Portrait
SOLD via Etsy
Commission for newlyweds in Texas, acrylic on panel. 22-1/2″ x 16″; given as a gift from relatives, who had this to say about it: “This is BEAUTIFUL!!!!!!!!!!! It’s perfect!!!!!!!! My dear–they are going to LOVE this!!!!!! Amazing!!!!!!!! Thank you!! You really captured their beauty–aren’t they a stunning couple? <Name withheld> looks like a supermodel.”
Rosey again, different pose
Practice portrait of Rosey by Steve Eichenberger, acrylic on corrugated cardboard bicycle carton, 9-1/4 x 13.
I enjoyed the process on this one, which is part of my goal in keeping things loose: to have fun painting!
( 1/5 addendum: I e-mailed a high resolution jpg of this to Rosey, who is currently in NYC, and she replied: “Hey Steve!! This is awesome. I look simultaneously angry and proud. I love it. The loose style captures something really great. I showed this painting to my sister, and some friends — everyone has been so impressed! My sister said, ‘Whoahhh…that’s so badass!'”)
Practice Painting
Portrait by Steve Eichenberger, acrylic on acid free paper, 14 x 17. SOLD
Another piece in my continuing effort to practice keeping things loose. I even crumpled up the paper before beginning, to make it less “precious” (which came back to haunt me after I finished the piece and decided to adhere it to a foamcore backing, but it turned out okay).
The background is pretty wild; I got a new set of palette knives and used one of them to pile on the paint.
The hair is just roughed in, but I decided it works with the background so resisted refining it.
DPW Challenge
Portrait by Steve Eichenberger, acrylic on corrugated cardboard, 12.5 x 24.
Done in response to this week’s DPW challenge to emulate an artist we admire. This is my second exercise in as many days to experiment with the look and feel of some of Egon Schiele’s 500+ works.
Thanks to friend/neighbor/photographer Willy Paul for permission to use a photo he took of his wife, Kris, for me to use as painting reference. Achieving a likeness was not my focus, but rather to experiment with the broad white accenting strokes, black outlining, unfinished areas and so on that Schiele often uses.
DPW challenge
SOLD via Etsy
Very quick sketch in acrylics on corrugated cardboard, 12 x 16. This week’s DPW challenge was to try painting in the style of an artist we admire. I started out “thinking” Egon Schiele, but then forgot all about it much of the time I was painting… It served as a good “loosening up” exercise.
Portrait of Rosey
Painted portrait by Steve Eichenberger, acrylic on panel, 17 x 22. Click on photo above for close-up (may need to click again on the next screen to get full size).
I may continue to fine tune this painting, but I’ve been working on it for so long I wanted to post it at this near-complete stage for a sense of progress! This was a challenging project for me, I learned a lot from doing it. I took other, easier-to-paint photos of Rosey as well, but there was something about the overall composition and expression that made me want to paint this one, so I went for it. The receding angle of the hand was a challenge, as well as the wonderfully curly hair. It’s always daunting to face such things, I just have to dive in and paint *something*…and then keep revising that something to look gradually better and better until some part of me says “OK” (or sometimes “Uncle!”).
I couldn’t get rid of all the distracting reflections on the glossy background when taking the above photo with the point and shoot camera I normally use for blog shots. May have to break down and actually set up our photo room with strobes, diffusers etc. to get a better shot.
90% complete, working from photos I took of R.D. a few weeks ago in my studio.
Likeness Practice
Painted portrait by Steve Eichenberger, acrylic on panel, 17 x 26.
Thanks to .mosa for permission to use his photo (below) as reference.
Local gal
Portrait by Steve Eichenberger, acrylic on panel, 15-3/4 x 20-1/2.
Thanks to Stephen Sheffrin, Portland photographer, for permission to use his photo below as reference.
Marc Anthony acrylic portrait
Acrylic portrait of Marc Anthony by Steve Eichenberger, on 15-3/4 x 19-1/2 panel, using another photo by Damon Winter as reference (below, and previous entry).
I experimented with glazing this time: brown tinted glaze on yellow background and face (except for eyes); yellow tinted glaze on shirt.
Matt Damon practice portrait
Matt Damon practice portrait by Steve Eichenberger
acrylic on panel, 14 x 20-3/4
Reference photo from magazine cover (Fast Company, July/August 2011 issue) used by kind permission of New York Times photographer Damon Winter.
Yes, unfortunately it’s been awhile since I’ve had a chance to post anything… Travel, moving our handmade tile studio (again!), and other art related busy-ness has required all my waking hours for the past couple of months. As far as I know there are no further crises looming, but in these strange times — who knows?!? Better paint while I can.