24″ long x 14″ wide x 13″ tall, mixed media—I used about a dozen different materials to construct it.
The dismal state of this planet has driven my reverie out into the cosmos where time has always been and space never ends. You never know who you’ll run across out there, and I was glad to make the acquaintance of this benevolent lifeform, the All-Seeing Undulator. Sound far fetched? Statistically, the majority of you believe in some sort of mystical/magical/supernatural/otherworldly realm…inhabited by unseeable entities—goddesses/gods, angels, spirits, ghosts, whatever—who are just assumed to be capable of knowing everything, right down to the thoughts in your head right now. So yeah, it’s like that…undulators have been around for countless eons so they long ago evolved the ability to know everything without effort or sensory organs. It’s just what they do. Their antler-tentacles undulate gracefully in rhythm with the cosmos around them…in a state we would call absolute contentment.
Always an honor to see my work on gallery walls! Great turnout for “Farewell to the Pig” show last night. (2019 was year of the pig) The show will be up through Feb 29, 2020; check it out if you can–Art at the Cave Gallery is a great venue in old town Vancouver, Washington. Details on their website: artatthecave.com/home
Just finished “2020 Vision” mixed media sculpture for upcoming invitational group show at Art at the Cave Gallery for the month of February 2020. Wall mount, 21″ wide, 19″ deep, 12″ high. I’ll have several sculptures at this show–come check it out if you can–it’s a great venue in old town Vancouver, Washington. Details on their website: artatthecave.com/home
I just finished this for an invitational group show at Art at the Cave Gallery, Feb 2020. Can you tell I’ve had a pent up desire to play with color?!? Hangs on wall, 27″ wide, 15″ deep, 13″ high. I’ll have several sculptures at this show–come check it out if you can–it’s a great venue in old town Vancouver, Washington.
Introducing a new mixed media series, “Beacons of Positivity” or BOPs for short. I’ve been developing it over the past several months and as usual have enjoyed working on the behind the scenes *process* aspects every bit as much as how they’re turning out aesthetically. One reason I’m making them is to have freedom to play with more vibrant colors than I could get by with on the more representational sculptures I’ve been making for the Cosmic Zoo Series, for example. Finished BOPs look simple, but I utilize about ten different (non-toxic) materials in their construction, and spent countless hours developing “secret recipes” and quirky methods that help make making them fun for me as the maker.
They’re available in my Recent Work section, with the following description that tells a bit more about the “why”:
BOPs are a new series of “Beacons of Positivity,” handmade by mixed media artist Steve Eichenberger. They are fun, colorful, non-fragile decor items for your mantel, shrine, niche, ledge, windowsill, shelf or table—plus they do double duty as cosmic energy appliances!
Now, I tend to be a fact-based kind of guy…but experience has proven to me that we can access literally infinite potential energy from the cosmos around us—and I’ve conceived my BOPs to draw in, concentrate, and re-radiate that free, abundant positivity wherever they are placed.
I make them individually from scratch, so each one is unique; I couldn’t make two identical to save myself! They may appear fragile, but they’re not…from initial concept onward, I’ve constructed them with durability in mind, to withstand minor household oopsies…as well as the inevitable jousts, jostles & jolts of shipping. If needed, clean gently with damp cloth. Not intended for outdoor exposure (but it’s your choice if you’re okay with them weathering). Hollow but sturdy, with graduated walls that are thicker toward the base to optimize balance…nice heft overall: not too heavy, not too light (approx. 1.5 – 2 lbs). They feel good.
Decades ago when art became a major focus of my life, I had no idea how revelatory a tool it would turn out to be—a vehicle for unexpected insights, an illuminator of mysteries, an explorer of vast inner realms—life enhancements that can’t be adequately communicated with words. BOPs are one physical manifestation of such inner experience, and it’s my hope they will serve as a catalyst for others to realize and utilize the limitless positive energy surrounding us at all times…literally as much energy as we can imagine!
Has to do with my musings about fellow extraterrestrials (perhaps even doppelgängers) throughout the infinite vastness of spacetime who similarly imagine me imagining them. What if one of them figured out how to burst in from another dimension for a chat?
In my perpetual struggle to find time to do art I *want* to do, the past few months have represented a welcome positive turn! I’ve had great fun combining several different media to make things. The relatively recent addition of hammer formed aluminum to my bag of tricks has made it possible to do things that would have been too fragile (or else too thick/heavy) in ceramic. A craigslist ad for old growth fir lumber that was destined for a landfill spurred me to go rescue some of it and turn it into corbel pedestals for several wall pieces. I ran several experiments with marrying materials, and came up with methods for strong modeling and joins, with non-toxic components.
How to patina the unfinished sculptures was by far my most daunting challenge! But my insecurity led me to research color (yet again) and commit more brain effort to grasping the Munsell system for quantifying color—it’s sticking this time and has really helped demystify color for me! I still have a hard time *visualizing* color in my mind, but once I’ve determined what color I want, I feel much more confident I can mix it.
I think using Instagram (I started an account a little over a year ago) may be helping my brain with visualization…flashing thousands of images briefly as I scroll through the daily feed seems to be fostering some new neural capabilities. Fingers crossed, as it’s been a frustrating shortcoming as an artist to have difficulty visualizing color! Fortunately, I can quite easily visualize *how* to make things…and I’m grateful for that and enjoy the process of making very much.
If you haven’t yet discovered it, you’ll love Art at the Cave Gallery—a beautiful independent gallery in downtown Vancouver, Washington.
I hope you can come see several of my new mixed media sculptures in their February invitational group show titled “Aqueous” — with Artists’ reception Friday, February 1st, 6-9 p.m. — continuing till February 22nd
Gallery hours are 10 to 4, Tuesday through Saturday
After shooting all the still photos for my newest egg sculpture, I goofed around with shooting some video using my old MotoX phone. All the footage came out way too dark, and with jumpy random frames (I guess from autofocus trying to do its thing). I didn’t think it was salvageable. But by using a powerful video editing application called DaVinci Resolve I was able to improve the lighting & contrast, and remove individual jumpy frames, to the point that I was able to use the footage to make the above video. It also allowed me to compress the music duration from 66 seconds to just under 60 seconds (for Instagram’s one minute limit) without changing the pitch.
Yes my little video is far from perfect, but I enjoyed the process, and am reasonably happy with the way it turned out—considering my lack of experience and equipment!
I appreciate that the makers of DaVinci Resolve, Blackmagic Design, offer a free version of it online that does everything 99.9% of us would ever conceivably need to do…in their words: “Revolutionary tools for editing, visual effects, motion graphics, color correction and audio post production, all in a single application!”
I also appreciate the YouTube music library where musicians post music for others to use for video soundtracks. That’s where I discovered Kevin MacLeod’s short composition that was just what I was looking for:
I tried to coordinate the video editing with the phrasing of the music where possible.
It helped to watch some DaVinci Resolve tutorials on YouTube and/or query Google to find answers to specific questions along the way. Hint: use .mp4 format for posting to Instagram! It’s different than the .mov format for YouTube.