SOLD via Etsy
Commission for newlyweds in Texas, acrylic on panel. 22-1/2″ x 16″; given as a gift from relatives, who had this to say about it: “This is BEAUTIFUL!!!!!!!!!!! It’s perfect!!!!!!!! My dear–they are going to LOVE this!!!!!! Amazing!!!!!!!! Thank you!! You really captured their beauty–aren’t they a stunning couple? <Name withheld> looks like a supermodel.”
Practice portrait of Rosey by Steve Eichenberger, acrylic on corrugated cardboard bicycle carton, 9-1/4 x 13.
I enjoyed the process on this one, which is part of my goal in keeping things loose: to have fun painting!
( 1/5 addendum: I e-mailed a high resolution jpg of this to Rosey, who is currently in NYC, and she replied: “Hey Steve!! This is awesome. I look simultaneously angry and proud. I love it. The loose style captures something really great. I showed this painting to my sister, and some friends — everyone has been so impressed! My sister said, ‘Whoahhh…that’s so badass!'”)
Portrait by Steve Eichenberger, acrylic on acid free paper, 14 x 17. SOLD
Another piece in my continuing effort to practice keeping things loose. I even crumpled up the paper before beginning, to make it less “precious” (which came back to haunt me after I finished the piece and decided to adhere it to a foamcore backing, but it turned out okay).
The background is pretty wild; I got a new set of palette knives and used one of them to pile on the paint.
The hair is just roughed in, but I decided it works with the background so resisted refining it.
Acrylic on corrugated cardboard, 13-1/2 x 15-1/2, by Steve Eichenberger.
<—Photo I took last summer at Portland Saturday Market.
For this challenge, I tried to loosen up on brushstrokes as in this self portrait by Theodore Gericault —>
Step by step
Portrait by Steve Eichenberger, acrylic on corrugated cardboard, 12.5 x 24.
Done in response to this week’s DPW challenge to emulate an artist we admire. This is my second exercise in as many days to experiment with the look and feel of some of Egon Schiele’s 500+ works.
Thanks to friend/neighbor/photographer Willy Paul for permission to use a photo he took of his wife, Kris, for me to use as painting reference. Achieving a likeness was not my focus, but rather to experiment with the broad white accenting strokes, black outlining, unfinished areas and so on that Schiele often uses.
SOLD via Etsy
Very quick sketch in acrylics on corrugated cardboard, 12 x 16. This week’s DPW challenge was to try painting in the style of an artist we admire. I started out “thinking” Egon Schiele, but then forgot all about it much of the time I was painting… It served as a good “loosening up” exercise.
Painted portrait by Steve Eichenberger, acrylic on panel, 17 x 22. Click on photo above for close-up (may need to click again on the next screen to get full size).
I may continue to fine tune this painting, but I’ve been working on it for so long I wanted to post it at this near-complete stage for a sense of progress! This was a challenging project for me, I learned a lot from doing it. I took other, easier-to-paint photos of Rosey as well, but there was something about the overall composition and expression that made me want to paint this one, so I went for it. The receding angle of the hand was a challenge, as well as the wonderfully curly hair. It’s always daunting to face such things, I just have to dive in and paint *something*…and then keep revising that something to look gradually better and better until some part of me says “OK” (or sometimes “Uncle!”).
I couldn’t get rid of all the distracting reflections on the glossy background when taking the above photo with the point and shoot camera I normally use for blog shots. May have to break down and actually set up our photo room with strobes, diffusers etc. to get a better shot.
90% complete, working from photos I took of R.D. a few weeks ago in my studio.
Painted portrait by Steve Eichenberger, acrylic on panel, 17 x 26.
Thanks to .mosa for permission to use his photo (below) as reference.
Portrait by Steve Eichenberger, acrylic on panel, 15-3/4 x 20-1/2.
Thanks to Stephen Sheffrin, Portland photographer, for permission to use his photo below as reference.